GRADE 8 – POETRY AND
LITERATURE
( Refer to your book
– Exploring Life through AFRO – ASIAN Literature)
The Old Man, His Son, and their Bike (pp. 33 – 39)
By: M. Ibrahim (pp. 33 – 39)
Song of a Flower
By: Kahlil Gibran ( pp.38 – 39)
About Work
By: Kahlil Gibran (pp. 43 – 46)
Tug of War ( A Bantut Tale of East Africa )
Anonymous (pp. 49 – 51)
The Cock
By: Tao Min Hai (pp. 54 – 58)
The Madman on the Roof
By: Kikuchi Kan (pp. 63 – 72)
NOTE: Please include in your study ( About
the Author) and (key learning points) of the story.
GRADE 8 - LANGUAGE
ADVERBS
Adverbs are words that modify
·
a verb (He
drove slowly. — How did he drive?)
·
an adjective (He
drove a very fast car. — How fast was his car?)
·
another adverb (She moved quite slowly down the aisle.
— How slowly did she move?)
As we will see, adverbs often tell
when, where, why, or under what conditions something happens or happened.
Adverbs frequently end in -ly; however, many words and phrases not
ending in -ly serve an adverbial function and an -ly ending
is not a guarantee that a word is an adverb. The words lovely, lonely,
motherly, friendly, neighborly, for instance, are adjectives:
·
That lovely woman lives in a friendly neighborhood.
If a group of words containing a subject and verb
acts as an adverb (modifying the verb of a sentence), it is called an Adverb Clause:
·
When this class is over, we're going to the
movies.
When a group of words not containing
a subject and verb acts as an adverb, it is called an adverbial phrase. Prepositional
phrases frequently have adverbial functions (telling place
and time, modifying the verb):
·
He went to the movies.
·
She works on holidays.
·
They lived in Canada during the war.
And Infinitive phrases can
act as adverbs (usually telling why):
·
She hurried to the mainland to see her brother.
·
The senator ran to catch the bus.
But there are other kinds of adverbial phrases:
·
He calls his mother as often as possible.
Adverbs can modify adjectives,
but an adjective cannot modify an adverb. Thus we would say that "the
students showed a really wonderful attitude" and that
"the students showed a wonderfully casual attitude"
and that "my professor is really tall, but not "He
ran real fast."
Like adjectives, adverbs can have
comparative and superlative forms to show degree.
·
Walk faster if you want to keep up with me.
·
The student who reads fastest will finish first.
We often use more and most, less and least to
show degree with adverbs:
·
With sneakers on, she could move more quickly among the
patients.
·
The flowers were the most beautifully arranged
creations I've ever seen.
·
She worked less confidently after her accident.
·
That was the least skillfully done performance I've
seen in years.
The as — as construction
can be used to create adverbs that express sameness or equality: "He can't
run as fast as his sister."
A handful of adverbs have two forms,
one that ends in -ly and one that doesn't. In certain cases,
the two forms have different meanings:
·
He arrived late.
·
Lately, he couldn't seem to be on time for
anything.
In most cases, however, the form without the -ly ending
should be reserved for casual situations:
·
She certainly drives slow in that old Buick of hers.
·
He did wrong by her.
·
He spoke sharp, quick, and to the point.
Adverbs often
function as intensifiers, conveying a greater or lesser emphasis to
something. Intensifiers are said to have three different functions: they can
emphasize, amplify, or downtone. Here are some examples:
·
Emphasizers:
o
I really don't believe him.
o
He literally wrecked his mother's car.
o
She simply ignored me.
o
They're going to be late, for sure.
·
Amplifiers:
o
The teacher completely rejected her proposal.
o
I absolutely refuse to attend any more faculty
meetings.
o
They heartily endorsed the new restaurant.
o
I so wanted to go with them.
o
We know this city well.
·
Downtoners:
o
I kind of like this college.
o
Joe sort of felt betrayed by his sister.
o
His mother mildly disapproved his actions.
o
We can improve on this to some extent.
o
The boss almost quit after that.
o
The school was all but ruined by the storm.
Adverbs (as well as adjectives) in
their various degrees can be accompanied by premodifiers:
·
She runs very fast.
·
We're going to run out of material all the faster
CONJUNCTIONS
Conjunctions are words used as joiners.
Different kinds of conjunctions join different kinds of grammatical
structures.
The following are the kinds of conjunctions:
A. COORDINATING CONJUNCTIONS (FANBOYS)
for, and, nor, but,
or, yet, so
Coordinating conjunctions join equals to
one another:
words
to words, phrases to
phrases, clauses to
clauses.
Coordinating conjunctions usually form looser connections than other
conjunctions do.
Coordinating conjunctions go in between items joined,
not at the beginning or end.
Punctuation with coordinating conjunctions:
When a coordinating conjunction joins two words,
phrases, or subordinate clauses, no comma should be placed before the
conjunction.
A coordinating conjunction joining three or more words,
phrases, or subordinate clauses creates a series and requires commas
between the elements.
A coordinating
conjunction joining two independent clauses creates a compound sentence and requires a comma
before the coordinating conjunction
either.
. .or
|
both. .
. and
|
neither.
. . nor
|
not
only. . . but also
|
These pairs of conjunctions require equal (parallel) structures
after each one.
These conjunctions join independent clauses together.
The following are frequently used conjunctive adverbs:
after
all
|
in
addition
|
next
|
also
|
incidentally
|
nonetheless
|
as a
result
|
indeed
|
on the
contrary
|
besides
|
in fact
|
on the
other hand
|
consequently
|
in
other words
|
otherwise
|
finally
|
instead
|
still
|
for
example
|
likewise
|
then
|
furthermore
|
meanwhile
|
therefore
|
hence
|
moreover
|
thus
|
however
|
nevertheless
|
|
Punctuation:
|
Place a
semicolon before the conjunctive adverb and a comma after theconjunctive
adverb.
|
These words are commonly used as subordinating conjunctions
after
|
in
order (that)
|
unless
|
although
|
insofar
as
|
until
|
as
|
in that
|
when
|
as far
as
|
lest
|
whenever
|
as soon
as
|
no
matter how
|
where
|
as if
|
now
that
|
wherever
|
as
though
|
once
|
whether
|
because
|
provided
(that)
|
while
|
before
|
since
|
why
|
even if
|
so that
|
|
even
though
|
supposing
(that)
|
|
how
|
than
|
|
if
|
that
|
|
inasmuch
as
|
though
|
|
in case
(that)
|
till
|
Subordinating conjunctions also join two clauses together, but in doing
so, they make one clause dependent (or "subordinate") upon the other.
A subordinating conjunction may appear at a sentence beginning or
between two clauses in a sentence.
A subordinate conjunction usually provides a tighter connection between
clauses than a coordinating conjunctions does.
Loose:
|
It is
raining, so we have an umbrella.
|
Tight:
|
Because
it is raining, we
have an umbrella.
|
Punctuation
Note:
|
When
the dependent clause is placed first in a sentence, use a comma between the
two clauses. When the independent clause is placed first and the
dependent clause second, do not separate the two clauses with a comma.
|
ADJECTIVES
Adjectives are words that describe or
modify another person or thing in the sentence. The Articles — a,
an, and the — are adjectives.
·
the tall professor
·
the lugubrious lieutenant
·
a solid commitment
·
a month's pay
·
a six-year-old child
·
the unhappiest, richest man
If a group of words containing a
subject and verb acts as an adjective, it is called an Adjective Clause. My
sister, who is much older than I am, is an engineer. If an
adjective clause is stripped of its subject and verb, the resulting modifier
becomes an Adjective Phrase: He is the man who is keeping
my family in the poorhouse.
Position of
Adjectives
Unlike Adverbs, which
often seem capable of popping up almost anywhere in a sentence, adjectives
nearly always appear immediately before the noun or noun phrase that they
modify. Sometimes they appear in a string of adjectives, and when they do, they
appear in a set order according to category. (See Below.) When
indefinite pronouns — such as something, someone, anybody — are modified by an
adjective, the adjective comes after the pronoun:
Anyone capable of doing something horrible to someone
nice should be punished.
Something wicked this way comes.
Something wicked this way comes.
And there are certain adjectives that, in
combination with certain words, are always "postpositive" (coming
after the thing they modify):
The president elect, heir apparent to the
Glitzy fortune, lives in New York proper.
See, also, the note on a- adjectives,
below, for the position of such words as "ablaze, aloof, aghast."
Degrees of Adjectives
Adjectives can express degrees of
modification:
·
Gladys is a rich woman, but Josie is richer than
Gladys, and Sadie is the richest woman in town.
The degrees of comparison are known as the positive,
the comparative, and the superlative. (Actually, only
the comparative and superlative show degrees.) We use the comparative for
comparing two things and the superlative for comparing three or more things.
Notice that the word than frequently accompanies the
comparative and the word the precedes the superlative. The
inflected suffixes -er and -est suffice to
form most comparatives and superlatives, although we need -ierand -iest when
a two-syllable adjective ends in y(happier and happiest);
otherwise we use more andmost when an adjective
has more than one syllable.
|
Positive
|
Comparative
|
Superlative
|
rich
|
richer
|
richest
|
lovely
|
lovelier
|
loveliest
|
beautiful
|
more
beautiful
|
most
beautiful
|
Certain adjectives have irregular forms in the
comparative and superlative degrees:
Irregular Comparative and
Superlative Forms
|
||
good
|
better
|
best
|
bad
|
worse
|
worst
|
little
|
less
|
least
|
much
many some |
more
|
most
|
far
|
further
|
furthest
|
The Order of
Adjectives in a Series
It would take a linguistic philosopher
to explain why we say "little brown house" and not "brown little
house" or why we say "red Italian sports car" and not
"Italian red sports car." The order in which adjectives in a series
sort themselves out is perplexing for people learning English as a second
language. Most other languages dictate a similar order, but not necessarily the
same order. It takes a lot of practice with a language before this order becomes
instinctive, because the order often seems quite arbitrary (if not downright
capricious). There is, however, a pattern. You will find many exceptions to the
pattern in the table below, but it is definitely important to learn the pattern
of adjective order if it is not part of what you naturally bring to the
language.
The categories in the following table can be
described as follows:
II.
Observation — postdeterminers and limiter
adjectives (e.g., a real hero, a perfect idiot) and adjectives subject to
subjective measure (e.g., beautiful, interesting)
III.
Size and Shape — adjectives subject to objective
measure (e.g., wealthy, large, round)
IV.
Age — adjectives denoting age (e.g.,
young, old, new, ancient)
V.
Color — adjectives denoting color
(e.g., red, black, pale)
VI.
Origin — denominal adjectives denoting
source of noun (e.g., French, American, Canadian)
VII.
Material — denominal adjectives denoting
what something is made of (e.g., woolen, metallic, wooden)
VIII.
Qualifier — final limiter, often regarded
as part of the noun (e.g., rocking chair, hunting cabin, passenger car, book
cover)
THE ROYAL ORDER
OF ADJECTIVES
|
|||||||||
Determiner
|
Observation
|
Physical Description
|
Origin
|
Material
|
Qualifier
|
Noun
|
|||
|
Size
|
Shape
|
Age
|
Color
|
|
||||
a
|
beautiful
|
|
|
old
|
|
Italian
|
|
touring
|
car
|
an
|
expensive
|
|
|
antique
|
|
|
silver
|
|
mirror
|
four
|
gorgeous
|
|
long-
stemmed |
|
red
|
|
silk
|
|
roses
|
her
|
|
|
short
|
|
black
|
|
|
|
hair
|
our
|
|
big
|
|
old
|
|
English
|
|
|
sheepdog
|
those
|
|
|
square
|
|
|
|
wooden
|
hat
|
boxes
|
that
|
dilapidated
|
little
|
|
|
|
|
|
hunting
|
cabin
|
several
|
|
enormous
|
|
young
|
|
American
|
|
basketball
|
players
|
some
|
delicious
|
|
|
|
|
Thai
|
|
|
food
|
PREPOSITIONS
A preposition describes a relationship
between other words in a sentence. In itself, a word like "in" or
"after" is rather meaningless and hard to define in mere words. For
instance, when you do try to define a preposition like "in" or
"between" or "on," you invariably use your hands to show
how something is situated in relationship to something else. Prepositions are
nearly always combined with other words in structures called prepositional phrases.
Prepositional phrases can be made up of a million different words, but they
tend to be built the same: a preposition followed by a determiner and
an adjective or two, followed by a pronoun or noun (called the object of
the preposition). This whole phrase, in turn, takes on a modifying role, acting
as an adjective or
an adverb,
locating something in time and space, modifying a noun, or telling when or
where or under what conditions something happened.
Consider the professor's desk and all
the prepositional phrases we can use while talking about it.
You can sit before the desk (or in front of the desk). The
professor can sit on the desk (when he's being
informal) or behind the desk, and then his feet are under the desk orbeneath the desk. He
can stand beside the desk (meaning next to the desk), before the desk, between the desk and
you, or even on the desk (if he's really strange). If he's clumsy, he can bump into the desk or try
to walk through the desk (and stuff would fall off the desk).
Passing his hands over the desk or resting his elbows upon the desk, he
often looks across the desk and speaks of the desk or concerning the desk as if
there were nothing else like the desk.
Because he thinks of nothing except the desk,
sometimes you wonder about the desk, what's in the desk, what
he paid for the desk, and if he could live without the desk. You
can walk toward the desk, to the desk,around the desk, by the desk, and
even past the desk while he sits at the desk or leans against the desk.
All of this happens, of course, in time: during the class, before the class, until the class, throughout the class, after the class, etc. And the professor can sit there in a bad mood [another adverbial construction].
All of this happens, of course, in time: during the class, before the class, until the class, throughout the class, after the class, etc. And the professor can sit there in a bad mood [another adverbial construction].
Those words in bold blue font are all
prepositions. Some prepositions do other things besides locate in space or time
— "My brother is like my father." "Everyone in the
class except me got the answer." — but nearly all of them
modify in one way or another. It is possible for a preposition phrase to act as
a noun — "During a church service is not a good time to
discuss picnic plans" or "In the South Pacific is where I
long to be" — but this is seldom appropriate in formal or academic
writing.
Prepositions of Time: at, on, and in
We use at to designate specific times.
The train is due at 12:15 p.m.
The train is due at 12:15 p.m.
We use on to designate days and dates.
My brother is coming on Monday.
We're having a party on the Fourth of July.
My brother is coming on Monday.
We're having a party on the Fourth of July.
We use in for nonspecific times during a day, a
month, a season, or a year.
She likes to jog in the morning.
It's too cold in winter to run outside.
He started the job in 1971.
He's going to quit in August.
She likes to jog in the morning.
It's too cold in winter to run outside.
He started the job in 1971.
He's going to quit in August.
Prepositions of Place: at, on, and in
We use at for specific addresses.
Grammar English lives at 55 Boretz Road in Durham.
Grammar English lives at 55 Boretz Road in Durham.
We use on to designate names of streets,
avenues, etc.
Her house is on Boretz Road.
Her house is on Boretz Road.
And we use in for the names of land-areas (towns,
counties, states, countries, and continents).
She lives in Durham.
Durham is in Windham County.
Windham County is in Connecticut.
She lives in Durham.
Durham is in Windham County.
Windham County is in Connecticut.
Prepositions of Location: in, at, and on
|
|||
IN
(the) bed* the bedroom the car (the) class* the library* school* |
AT
class* home the library* the office school* work |
ON
the bed* the ceiling the floor the horse the plane the train |
NO PREPOSITION
downstairs downtown inside outside upstairs uptown |
Note: * You may sometimes use different
prepositions for these locations.
|
Prepositions of Movement: to
and No Preposition
We use to in order to express movement toward a
place.
They were driving to work together.
She's going to the dentist's office this morning.
They were driving to work together.
She's going to the dentist's office this morning.
Toward and towards are also helpful prepositions to
express movement. These are simply variant spellings of the same word; use
whichever sounds better to you.
We're moving toward the light.
This is a big step towards the project's completion.
We're moving toward the light.
This is a big step towards the project's completion.
With the words home,
downtown, uptown, inside, outside, downstairs, upstairs, we use no
preposition.
Grandma went upstairs
Grandpa went home.
They both went outside.
Grandma went upstairs
Grandpa went home.
They both went outside.
Prepositions of Time: for and since
We use for when we measure time (seconds,
minutes, hours, days, months, years).
He held his breath for seven minutes.
She's lived there for seven years.
The British and Irish have been quarreling for seven centuries.
He held his breath for seven minutes.
She's lived there for seven years.
The British and Irish have been quarreling for seven centuries.
We use since with a specific date or time.
He's worked here since 1970.
She's been sitting in the waiting room since two-thirty.
He's worked here since 1970.
She's been sitting in the waiting room since two-thirty.
Common Prepositions
about
above across after against around at before behind below beneath beside besides between beyond |
by
down during except for from in inside into like near of off on out |
outside
over since through throughout till to toward under until up upon with without |
according
to
because of by way of in addition to in front of in place of in regard to in spite of instead of on account of out o |
INTERJECTIONS
Hi! That's an interjection. :-)
"Interjection" is a big name for a little
word. Interjections are short exclamations like Oh!, Um or Ah!They
have no real grammatical value but we use them quite often, usually more in
speaking than in writing. When interjections are inserted into a sentence, they
have no grammatical connection to the sentence. An interjection is sometimes
followed by an exclamation mark (!) when written.
Here are some interjections with examples:
interjection
|
meaning
|
example
|
ah
|
expressing pleasure
|
"Ah, that feels good."
|
expressing realization
|
"Ah, now I understand."
|
|
expressing resignation
|
"Ah well, it can't be heped."
|
|
expressing surprise
|
"Ah! I've won!"
|
|
alas
|
expressing grief or pity
|
"Alas, she's dead now."
|
dear
|
expressing pity
|
"Oh dear! Does it hurt?"
|
expressing surprise
|
"Dear me! That's a surprise!"
|
|
eh
|
asking for repetition
|
"It's hot today." "Eh?" "I said it's hot
today."
|
expressing enquiry
|
"What do you think of that, eh?"
|
|
expressing surprise
|
"Eh! Really?"
|
|
inviting agreement
|
"Let's go, eh?"
|
|
er
|
expressing hesitation
|
"Lima is the capital of...er...Peru."
|
hello, hullo
|
expressing greeting
|
"Hello John. How are you today?"
|
expressing surprise
|
"Hello! My car's gone!"
|
|
hey
|
calling attention
|
"Hey! look at that!"
|
expressing surprise, joy etc
|
"Hey! What a good idea!"
|
|
hi
|
expressing greeting
|
"Hi! What's new?"
|
hmm
|
expressing hesitation, doubt or disagreement
|
"Hmm. I'm not so sure."
|
oh, o
|
expressing surprise
|
"Oh! You're here!"
|
expressing pain
|
"Oh! I've got a toothache."
|
|
expressing pleading
|
"Oh, please say 'yes'!"
|
|
ouch
|
expressing pain
|
"Ouch! That hurts!"
|
uh
|
expressing hesitation
|
"Uh...I don't know the answer to that."
|
uh-huh
|
expressing agreement
|
"Shall we go?" "Uh-huh."
|
um, umm
|
expressing hesitation
|
"85 divided by 5 is...um...17."
|
well
|
expressing surprise
|
"Well I never!"
|
introducing a remark
|
"Well, what did he say?"
|
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